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Technology and language

by Angus Grieve-Smith
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C’est l’année 1810, et vous vous promenez sur les Grands Boulevards de Paris. Vous avez l’impression que toute la ville, voir même toute la France, a eu la même idée, et est venue pour se promener, pour voir les gens et se faire voir. Qu’est-ce que vous entendez? Vous arrivez à un théâtre, vous montrez un billet pour une nouvelle pièce, et vous entrez. La pièce commence. Qu’est-ce que vous entendez de la scène? Quels voix, quel langage?

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Last month I wrote those words on a slide I was preparing to show to the American Association for Corpus Linguistics, as a part of a presentation of my Digital Parisian Stage Corpus. I was proud of having a truly representative sample of theatrical texts performed in Paris between 1800 and 1815, and thus finding a difference in the use of negation constructions that was not just large but statistically significant.

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I was pleased to have the opportunity to announce some progress on my Digital Parisian Stage project in a lightning talk at the kickoff event for New York City Digital Humanities Week on Tuesday. One theme that was expressed by several other digital humanists that day was the sheer volume of interesting stuff being produced daily, and collected in our archives.