En esta breve entrada continuaré explicando las configuraciones disponibles en el botón de configuración «Options» en ChrysoCollate: La sección Expressions permite adaptar los mensajes y símbolos empleados para crear el aparato crítico (de lo que hablaré en una entrada futura). En el modo edición, ChrysoCollate puede trabajar con un aparato crítico positivo o negativo, y las configuraciones de Expressions permiten adaptar

Some remarks that will be presented at the SHARP plenary roundtable: AI in the Communications Circuit. Last week, the CEO of Microsoft’s AI division said, in an interview with CNBC, that “I think that with respect to content that’s already on the open web, the social contract of that content since the ‘90s has been that it is fair use.

A few personal notes on the clamour around OA for books (written from the perspective of an author of 10 books that are all openly accessible): The REF mandate for books has been argued and trialed over an eight-year period, starting with the 2016 ‘Consultation on the second Research Excellence Framework’, published by the Higher Education Funding Council for England.

Hoy continúo hablando del último botón de configuración general de ChrysoCollate, «Options». Este botón permite personalizar las opciones de visualización y comportamiento del aplicativo: Las primeras configuraciones disponibles son «Font», «Mouse wheel», «Colours of the readings» y «Directions». La primera permite personalizar la fuente que se empleará para presentar las lecturas ( Collation Table Font ), el tamaño general de la fuente

"End-stage renal disease is a terminal illness with a glomerular filtration rate of less than 15 mL/min." - [Hashmi et al.](https://www.ncbi.nlm.nih.gov/books/NBK499861/) My current state is an estimated GFR of 7 with dialysis 5 days per week to replace my destroyed kidney function. But the basic fact remains that this condition is terminal; it's just the question of how long it takes to finish me off.

Había prometido hablar del botón «Options» de ChrysoCollate en esta entrada.

People often think that reading a novel is a very linear activity. You start at the start and proceed through the text. As in most media forms, though, the beginning of any novel is really not truly its beginning. The American author, Thomas Pynchon, the focus of my paper today, is famed, it could be argued, mostly for three things.

Antes de comenzar con el modo de edición, en esta y las siguientes entradas explicaré el funcionamiento de los botones de configuración general de ChrysoCollate.

Writing is thinking. The writing process is the most neglected part of our job. We spend millions on fancy equipment and uncountable hours on training for using this or that toolkit. Yet we assume the BA-level academic writing course we once followed is sufficient; the rest we’ll just learn on the job and hopefully soon we’ll automate away with LLMs. It is all formulaic anyway.

Retomo la explicación de la entrada anterior –y con ella, termino la serie de entradas sobre los botones de función en el modo colación de ChrysoCollate.