Long before Richard Dawkins topped the charts with his recent entry into the folk-religion genre, he was reviled by Christian culture warriors as a Public Enemy, an ayatollah of atheism, the embodiment of the evil that ensnares all who embrace Darwin's Dangerous Idea ^TM . His revivalistic fervor, combined with his, um, expertise in handling the media, makes him a near-perfect spokesperson for unbelief, and consequently he is credited