Messaggi di Rogue Scholar

language
Pubblicato in CST Online
Autore Anita Biressi

I am writing this blog during Season Two of Hulu’s TV production of The Handmaid’s Tale ; a drama about state-sanctioned oppression of sexual and gender non-conformity set in the  fictional Republic of Gilead . It’s tough viewing; its promises of hope, freedom and redemption always deferred to the next episode via cliff-hangers, misdirection and plot twists.

Pubblicato in CST Online
Autore CSTonline

Deadline:  31st July 2018 Cultivate is an annual, open-access journal based in the University of York at the Centre for Women’s Studies. We are postgraduate-led and interested in the practices, nuances and articulations of feminism. We are based in Europe but open to global submissions of all kinds of studies related to or about feminism.

Pubblicato in CST Online
Autore CSTonline

The editors of Feminist Media Studies’ Commentary and Criticism section invite essay contributions on any topic related to feminism, media and the 1990s. We are particularly interested in submissions from beyond North America and the UK. The Commentary and Criticism section of Feminist Media Studies aims to publish brief (~1000 words), timely responses to current issues in feminist media culture, for an international readership.

Pubblicato in CST Online
Autore CSTonline

In 1978 Susie Orbach declared fat a feminist issue. This slim volume of writing put forward a radical new understanding of feminine embodiment and the gendered psychology of eating. Taking place almost four decades later, this one-day conference will revisit the terrain explored by Orbach and open out new themes of analysis by examining contemporary feminist perspectives on food.

Pubblicato in CST Online
Autore CSTonline

CONSOLE-ING PASSIONS International Conference on Television, Video, Audio, New Media, and Feminism July 27-29 2017 East Carolina University Greenville, NC Console-ing Passions was founded in 1989 by a group of feminist media scholars and artists looking to create a space to present work and foster scholarship on issues of television, culture, and identity, with an emphasis on gender and sexuality.