Everyone knows that the very first thing you should do to improve your specimen photography is to use a tripod: it eliminates hand-shake and gives you much crisper photos. In most respects, my photographs have got much, much better since I’ve been habitually using a tripod.

Matt just commented to me: “One thing I am realizing is that I have loads(*) of cleaned-up, ready-to-post photos in old talks, that I’ve never posted.” I too have that experience. The problem is, they tend to be sized for a 1280×960 projector screen, which is not really good enough for modern illustrations.

Following on from Matt’s post about the difficulty of photographing big specimens without distortion, I thought I’d have a play with our best Sauroposeidon C8 photo, which I think is this one: {.aligncenter .size-full .wp-image-9635 loading=“lazy” attachment-id=“9635” permalink=“http://svpow.com/2014/01/30/playing-with-sauroposeidon-photos/sauroposeidon-c8-alone/”

In his post on Vicki’s new book Broken Bones , Matt told us his twelve-step process for producing stippled illustrations like this one of a crushed skull, which became the cover image of the book: {.aligncenter .size-full .wp-image-9460 loading=“lazy” attachment-id=“9460” permalink=“http://svpow.com/2013/12/18/vickis-book-broken-bones-is-out/skull-drawing-f1-original-on-white/”

{.aligncenter .size-full .wp-image-9455 loading=“lazy” attachment-id=“9455” permalink=“http://svpow.com/2013/12/18/vickis-book-broken-bones-is-out/vicki-book-arrival-3/” orig-file=“https://svpow.files.wordpress.com/2013/12/vicki-book-arrival-3.jpg” orig-size=“900,1200” comments-opened=“1” image-meta=“{"aperture":"3.2","credit":"","camera":"Canon PowerShot

Generally when we present specimen photos in papers, we cut out the backgrounds so that only the bone is visible — as in this photo of dorsal vertebrae A and B of NHM R5937 “The Archbishop”, an as-yet indeterminate Tendaguru brachiosaur, in right lateral view: {.aligncenter .size-full .wp-image-8381 loading=“lazy” attachment-id=“8381”

I’ve been thinking about Barosaurus lately. <homer>Mmmm … Barosaurus …</homer> The best (and only, really) good recent treatment of Barosaurus is in John McIntosh’s chapter of the 2005 IUP Thunder Lizards volume.

In among all the open-access discussion and ostrich-herding, we at SV-POW! Towers do still try to get some actual science done.  As we all know all too well, the unit of scientific communication is the published paper , and getting a submission ready involves a lot more than just the research itself.

If you’re a scientist, then one of the things you need to do is prepare high-quality images for your papers.  And, especially if you’re a palaeontologist, or in some other science that involves specimens, that’s often going to mean manipulating photographs.

After a couple of relatively hardcore posts on ilial osteology, we though it would be good to look at something lighter this time.  If you’re interested in dinosaurs, or indeed alive, you will hardly have been able to avoid seeing Francisco Gascó’s glorious life restoration of Brontomerus .