Dear all, On July 4, 5 and 6, Taylor Swift will perform in Amsterdam, consequent to the Celebrity Studies Conference in Amsterdam (1 – 3 July 2024). The combination of these events offers a unique opportunity to gather, celebrate, and critique the multifaceted persona(e) of an increasingly iconic performer and songwriter.

Call for Papers: ‘A word, after a word, after a word is power’: The Hulu Adaptation of Margaret Atwood’s The Handmaid’s Tale (2017-2024): A one-day multidisciplinary symposium. Friday, September 13, 2024 University of Northumbria at Newcastle We are inviting proposals for 20-minute conference papers on the Hulu Adaptation of The Handmaid’s Tale , Margaret Atwood’s famous 1985 dystopia.

The Flowing Image: The Ocean On-Screen 28-29th August 2024 Hybrid MS Teams &

Organizers: The Audience Network at Lancaster University (ANLU) Confirmed Speaker: Prof. Annette Kuhn (Queen Mary University of London) Deadline for submission of abstracts: 29 March 2024 Notification of Acceptance: 12 April 2024 Since its first engagements with television, radio, and popular culture (Williams 1974; Hall 1973;

This year marks the thirtieth instalment of the Visible Evidence Conference, the preeminent event for the global network dedicated to the study of documentary and nonfiction media culture. The conference has evolved into an international event, with editions held in locales such as New Delhi, Lancaster, New York, Buenos Aires, Istanbul, Stockholm, Udine, and Gdansk.

Conference call for papers: ‘Weddings and Funerals: UK Screen Industries in a Global Context, 1994-2024’, 13-14 ^th June 2024 A 2-day conference organised by the Centre for Converged Screen Media and Entertainment (COSME), Department of Communication and Media, University of Liverpool, 13-14 June 2024 Keynote Speakers: Dr Kay Dickinson (University of Glasgow,

Following the conferences devoted to US network series produced from the 1950s to the 1970s (Université Paul-Valéry Montpellier, May 2018), during the 1980s (UPVM, February 2019) or the 1990s (UPVM, February 2020), this conference will focus on network series of the following decade: 2000-2010.

In an interview about the end of the last millennium, James Ballard argued that Science Fiction (SF) had created the greatest popular literature of the 20th century. The imagery that we saw in the cinema, television, advertising and other media was the most powerful imagery produced in the last hundred years. By the end of the century, the genre had done its job and it was dead.

When: Tue 13 June 2024, 10am-4pm Where: Queen Margaret University, Edinburgh (in person) Since the publication of Scottish Cinema: Texts and Contexts (Meir 2014), The New Scottish Cinema (Murray 2015) and Directory of World Cinema: Scotland (Nowlan and Finc 2015) there has been a notable absence of critical writing on Scottish Film and Television.

Media Business Models: Trends & Challenges Second International Conference (Hybrid) British University in Egypt, Cairo / Online, 16th &