The Flowing Image: The Ocean On-Screen 28-29th August 2024 Hybrid MS Teams &

Call for Papers: Special issue of Journal of British Cinema and Television on the theme of transmission and transmitters Proposals are invited for a special issue of the Journal of British Cinema and Television on the subject of television and cinema transmission. Transmission is one of the key technologies underpinning television and cinema.

Organizers: The Audience Network at Lancaster University (ANLU) Confirmed Speaker: Prof. Annette Kuhn (Queen Mary University of London) Deadline for submission of abstracts: 29 March 2024 Notification of Acceptance: 12 April 2024 Since its first engagements with television, radio, and popular culture (Williams 1974; Hall 1973;

This year marks the thirtieth instalment of the Visible Evidence Conference, the preeminent event for the global network dedicated to the study of documentary and nonfiction media culture. The conference has evolved into an international event, with editions held in locales such as New Delhi, Lancaster, New York, Buenos Aires, Istanbul, Stockholm, Udine, and Gdansk.

Conference call for papers: ‘Weddings and Funerals: UK Screen Industries in a Global Context, 1994-2024’, 13-14 ^th June 2024 A 2-day conference organised by the Centre for Converged Screen Media and Entertainment (COSME), Department of Communication and Media, University of Liverpool, 13-14 June 2024 Keynote Speakers: Dr Kay Dickinson (University of Glasgow,

Following the conferences devoted to US network series produced from the 1950s to the 1970s (Université Paul-Valéry Montpellier, May 2018), during the 1980s (UPVM, February 2019) or the 1990s (UPVM, February 2020), this conference will focus on network series of the following decade: 2000-2010.

In an interview about the end of the last millennium, James Ballard argued that Science Fiction (SF) had created the greatest popular literature of the 20th century. The imagery that we saw in the cinema, television, advertising and other media was the most powerful imagery produced in the last hundred years. By the end of the century, the genre had done its job and it was dead.

Global Perspectives on Soccer and the Media and Entertainment Industry Floribert Patrick C. Endong (Editor) University of Dschang, Cameroon Introduction Over the years, the political significance of football in the world has tremendously grown.

Call for Papers: ‘When the Shadow Flickers: The Moving Image in Contemporary Chinese Art’ Volume 12, Issue 1, Spring 2025, Journal of Contemporary Chinese Art A Special Issue co-edited by Yang Panpan and Jiang Jiehong At a time when the moving image has become a ubiquitous presence in museums and galleries in China and the Sinophone world, the studies of the moving image in the sphere of contemporary Chinese art remain surprisingly scarce.

When: Tue 13 June 2024, 10am-4pm Where: Queen Margaret University, Edinburgh (in person) Since the publication of Scottish Cinema: Texts and Contexts (Meir 2014), The New Scottish Cinema (Murray 2015) and Directory of World Cinema: Scotland (Nowlan and Finc 2015) there has been a notable absence of critical writing on Scottish Film and Television.