UPDATED Deadline for submission of abstracts: July 31, 2020 A decade ago, Beth Coleman and Wendy Hui Kyong Chun introduced the concept of race and/as technology.* Turning to Heidegger’s notion of techne as prosthesis or skill, Coleman and Chun imagine race itself as a technology that can be leveraged, a tool for navigating systems of power.

The Journal of Screenwriting is calling for articles for a special issue on emerging screenwriting styles, modes, and languages, to be published in November 2022.

Edited by Dr. Dan Vena (Carleton University/Queen’s University) and Dr. Nael Bhanji (Trent University) In Transgender Studies Quarterly , Francisco J. Galatre (2014) suggests that transpedagodies should “offer students the tools they need to participate in the political and economic power structures that shape the boundaries of gender categories, with the goal of changing those structures in ways that create greater freedom” (146).

Guest Editors: Jaime Hyatt and Florian Wagner From its inception in the early 1990s, the field of ecocriticism has grown considerably in scope and scholarly impact.

Both articles and book reviews should be sent before September 1st 2020 to: joelle.rouleau@umontreal.ca jlesage@uoregon.edu At first sight, “queer” and “television” might seem opposed.

Special Collection: Translation, Remediation, Spread: The Global Circulation of Comics in Digital Distribution Editors: Jonathan Evans, Kathleen Dunley and Ernesto Priego Timeline: CFP made public: May 2020 Deadline for first drafts: 30 June 2021 Initial editorial desk review: 30 August 2021 Peer Reviews due: 16 January 2022 Revised papers due: 30 June 2022 Estimated Publication of articles as they become ready: August 2022 Submissions called

We invite contributions to a RAEI special issue entitled Theatre and Performance Studies in English , edited by Isabel Guerrero (UNED) and Verónica Rodríguez Morales (University of Reading), to be published in July 2021 . Theatre and Performance Studies have made, little by little, their way into academia.

CfP for Special Publication of Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe: Pandemic Movies in Central and Eastern European Film and Television Guest edited by Raoul Eshelman, Mario Slugan, and Denise J. Youngblood

Edited by Monica Dall’Asta, Jacques Migozzi, Federico Pagello, Andrew Pepper To talk about the crime genre—as opposed to detective or spy or noir fiction—is to recognise the comprehensiveness of a category that speaks to and contains multiple sub-genres and forms (Ascari, 2007). In this volume, we want to uncover the ways in which the crime genre, in all of its multiple guises, forms and media/transmedia developments, has

The entertainment industries create the most widely circulated popular images of children and childhood, and yet the role of children in celebrity studies warrants further study.