Given the uncertainty of the current context, our intention is to hold a hybrid conference (attendees may deliver their papers online or in person). If this hybrid model were not possible, we would then switch to a fully-online conference.   It has become almost mandatory to start any piece on cosmopolitanism with a reference to Diogenes the Cynic (412-323 BC) and his famous claim “I am a citizen of the world”.

Call for proposals:  Steve McQueen: “I want the burden”. 14th Annual Contemporary Directors Symposium, University of Sussex, online, provisional date: Friday 24 September 2021

Organized by: Istanbul Bilgi University, Faculty of Communication, Department of Film and Television Venue: Virtual Zoom Event Confirmed Keynote Speakers: Christian Katzenbach (Alexander von Humboldt Institute for Internet and Society, Berlin) Robert Prey (University of Groningen, Faculty of Arts) Diğdem Sezen (Teesside University, School of Computing, Engineering and Digital Technologies, Department of Transmedia Digital Art

We are happy to invite you to participate in the ECREA European Media and Communication Doctoral Summer School 2021 that will take place at the University of Cádiz, Cádiz, Spain, mainly from 20-24 September 2021 (with activities before and after these dates). Because of the pandemic situation, it is impossible to plan a physical meeting, so this Summer School will be an online event. THE FOCUS The ECREA

Confirmed keynote scholars : Enrique Ajuria Ibarra, Xavier Aldana Reyes, Kyle Bishop, Kevin Corstorphine, Justin Edwards, Anya Heise-von der Lippe, Michael Howarth, Evert J. van Leeuwen, Sorcha Ní Fhlainn, Elizabeth Parker + Michelle Poland, David Punter, Julia Round, Christy Tidwell, Jeffrey Andrew Weinstock, Maisha L. Wester.

In her seminal text Illness as Metaphor (1978), Susan Sontag approaches the discourses around contagious diseases as systems of power and control over civil disobedience and difference. The text poignantly foreshadows the “treatment” of the HIV outbreak by Western public health providers and in the cultural imagination alike.

You are invited to submit 300-word abstracts for the forthcoming edited collection provisionally titled Difficult Death: Challenging Cultural Representations of Death, Dying and the Dead in Media and Culture. The interdisciplinary collection seeks to examine a range of representations of and engagement with death and dying across different media and cultural forms including film, television, new media, journalism, performing

Journal of Italian Cinema and Media Studies Giallo! The Long History of Italian Television Crime Drama Special issue edited by Luca Barra (Università di Bologna) and Valentina Re (Link Campus, Rome)

HBO’s recent series Lovecraft Country takes up the monsters of H. P. Lovecraft’s universe, but flips the script to make the heroes an African-American cast battling various demons in the Jim Crow era. Arguably, the show aimed at a re-appropriation or détournement of the pulp legend’s troubling racism, but critics seem divided on the show’s success.

The past three decades have seen a remarkable flourishing of documentary film in Russia: the cohort of documentary “masters” who came to prominence in the 1990s, such as Vitaly Mansky, Viktor Kossakovsky, and Sergei Loznitsa have been joined by a new generation of filmmakers, including Askold Kurov, Beata Bubenets, and Alina Rudnitskaya, to name but a few.