Following on from Matt’s post about the difficulty of photographing big specimens without distortion, I thought I’d have a play with our best Sauroposeidon C8 photo, which I think is this one: (That’s been the basis for classic SV-POW!
Following on from Matt’s post about the difficulty of photographing big specimens without distortion, I thought I’d have a play with our best Sauroposeidon C8 photo, which I think is this one: (That’s been the basis for classic SV-POW!
“Look at all the things you’ve done for me Opened up my eyes, Taught me how to see, Notice every tree.” So sings Dot in Move On, the climactic number of Stephen Sondheim’s Pulitzer Prize-winning music Sunday in the Park with George, which on the surface is about the post-impressionist painter Georges Seurat, but turns […]
In his post on Vicki’s new book Broken Bones , Matt told us his twelve-step process for producing stippled illustrations like this one of a crushed skull, which became the cover image of the book: As soon as I saw that, I found myself thinking that it would look nice with some shading of the bone.
When we last left my better half, Dr. Vicki Wedel, she was helping to identify a Jane Doe who had been dead for 37 years by counting growth rings in the woman’s teeth. That case nicely illustrated Vicki’s overriding interest: to advance forensic anthropology by developing new methods and refining existing ones.
It’s a strange time of year for me. Teaching and SVP are both behind me, my tenure dossier is in (I’ll find out how that goes next April, probably), and for the first time in a while, I’m not shepherding any pressing manuscripts through the valley of potential rejection. Urgency has dissipated. Flights of fancy are very in right now. Take this post.
I just found out — thanks to a tweet from abertonykus — that this exists: That’s me on top of the Giraffatitan , Matt to the right, and Darren swinging from its wattle. It’s the work of classicalguy on Deviant Art. He provides a poem and some brief commentary along with the original. There also one for the Tetrapod Zoology podcats, and one for Tom Holtz.
For a palaeontology blog, we don’t talk a lot about geology. Time to fix that, courtesy of my middle son Matthew, currently 13 years old, who made this helpful guide to the rock cycle as Geology homework.
This beauty is by Bryan Riolo, aka Algoroth on DeviantART, who also let me use his giant space Cthulhu for my Collect Call of Cthulhu over on Echo Station 5-7. Update: and here, belatedly, is a link to the piece on DA, with Bryan’s thoughts on it. I love the sense of scale here, with paralititans striding through the surf, the chiaroscuro, and the sheer amount of stuff going on. It reminds me of William Stout’s murals, and lots
Mark Witton, pterosaur-wrangler, Cthulhu-conjurer, globe-trotting paleo playboy and all-around scientific badass, drew this (and blogged about it): I liked it, but I thought it could use some color, so I hacked a crude version in GIMP and sent it to Mark with a, “Hey, please put this on a t-shirt so I can throw money at you” plea. Lo and behold, he did just that. You can get your own from Mark’s Zazzle store.
Because “here’s that Brian Engh sketch of a sauropod literally stomping the guts out of a theropod you ordered” was a bit ungainly for a post title.