Magritte’s best known work by far is of course his drawing of a pipe with the text Ceci n’est pas une pipe . He made several versions over the years, but the work originated in 1928 or 1929. The title Magritte gave to this painting is La trahison des images — the treachery of images.

The closing paragraphs of my previous post were cited in several places (e.g. Culture Making, Far Outliers) as evidence of a cultural revival. Although I feel it is really too soon to say whether this is the case, I’m glad to report that the dirges that we recorded in Akpafu-Todzi are in wide circulation now and are even being played during funerals, to great acclaim.

Funeral dirges ( sìnɔ in Siwu) are sung during the period of public mourning preceding a burial. The musical structures of these dirges, the performances, and their place in the larger context of the funeral have been described in some detail by Agawu (1988) and before him by the German missionary Friedrich Kruse (1911); however, the linguistic aspects of the genre have not received any attention so far.