When creator Adam Price created the political drama series Borgen for Danish television, premiering in 2010, no one thought that international audiences would take an interest in the political life and debates of a small Scandinavian country. As we now know, this turned out not to be the case.

This blog is an expansion on an earlier one published on In Media Res in November 2021 SPOILER ALERT

In July 1972 Ms. magazine released its first independently-published issue, featuring the now famous “Wonder Woman for President” cover. Although first appearing in comics in 1941, Wonder Woman’s focus on compassion and empathy spoke to the publishers and readers of this feminist magazine fighting for women’s rights in the 1970s, and she continues speaking to modern readers today.

Networking Knowledge , the journal of the Media, Communication and Cultural Studies (MeCCSA) Postgraduate Network, invites contributions from postgraduate students and early career researchers for publication in future issues. Academic articles, creative work, interviews and media reviews from any field of media, communication, and cultural studies are welcome.

It’s the year 2021 and the UK finally seems to recognise the urgency of climate action. It seems to be everywhere: local councils declare climate emergencies and commit to net zero emission by 2030, the British government gives out funding to councils to improve walking and cycling infrastructures in order to change the way we – the average citizens – travel from A to B, and people start talking about electric vehicles and heat pumps.

I wonder how many fellow television researchers have had something published and, only when seeing it locked into the pages of a journal or a book, have realised that their thinking has already developed. Indeed, whilst television and the scholarly endeavours surrounding it are ‘to be continued…’ in perpetuity (at least, I hope so), the dominant publishing mechanisms currently at our disposal to facilitate such endeavours remain less dynamic.

Special Issue of Journal of Popular Television It’s a Sin belongs to the HIV/AIDS retrovision genre (Kagan, 2018), dramatising the early years of the pandemic. Audiences are shown what reality was like before and immediately after the outbreak of HIV/AIDS.

he XXVIII Visible Evidence Conference will take place at the University of Gdansk between 10 and 14 August 2022. The event is conceived as an “in person” event, and we warmly invite everybody to make every effort physically to attend the sessions.

The editors of a forthcoming volume are seeking concise essays of approximately 5,000 words about any aspect of Star Wars storytelling that has emerged since Disney’s acquisition of Lucasfilm in 2012. We are seeking pieces that are academically rigorous, but accessible to the general reader. The volume aims to cover the full range of transmedia forms that now comprise the Star Wars shared universe.

Digital environments have quickly become major catalysts in our shifting conversations about the ways narratives and stories are told across the media ecology. While scholarship on legacy media storytelling has traditionally been shaped by frameworks of text, audience, and industry, discourses of digital media storytelling show signs of growth and expansion as production and distribution of digital stories continue to rise in the 2020s.