At the moment I’m editing a book on Music in Comedy Television. As part of the project I decided to go back to iconic pieces of comedy television I remember having had a musical impact, starting with 80s sitcoms (judge me, go on). I was expecting that some of the bits would have aged badly – comedy often does, particularly as standards for social and political correctness develops.
It was in the November of 1989 when the first private television station in Greece transmitted its first signal and new frequencies invaded the audiovisual landscape which had been dominated by the state monopoly. This invasion was a turning point in the history of Greek television, as it was the stone that moved the stagnant waters of the strict and petrified television landscape, fostered by the state-bred system.
Just before Christmas I was suffering from ‘Flue, we had just lost our third pet in a year and I was not at my best in a number of other ways. I arose from my sick bed mildly feverish by then and sought comfort in Television Drama. Not just any drama, but Doc. Martin (Buffalo Pictures for ITV, 2006-) for me the ultimate comfort television.
This paper aims to explore, and expand upon, a theme I recently raised at The Media Across Borders conference, Roehampton University (June, 2015), in relation to global television formats and the transnational. In particular, it aims to consider the concept (and in some respects, the term) of ‘Self-Exoticism’, its relationship to transnationalism, but more significantly, how it is represented and constructed in contemporary television.
In 1990, Charlotte Brunsdon wrote an article entitled ‘Problems with Quality’. It examined British television’s claims to quality and investigated in particular how specific genres and aesthetics were claimed by a number of commentators, including politicians, critics and academics, and professionals as ‘quality’. It sparked a particular, British debate about what quality might mean at a time that by others was perceived as a period of
Network’s 12-disc collection ITV 60: Celebrating Sixty Years of ITV is a curious exercise. A compilation of 60 ITV programmes to mark the channel’s sixtieth anniversary, its selections derive from three separate sources.
So here’s a list of show titles for you: The X-Files, Twin Peaks, Prison Break, The A-Team, Hart to Hart, Gilmore Girls, Star Trek, Full House, and Magyver. Looking at it, you might think that this was a catalog of DVD box sets or, perhaps, the line-up for another one of those cable channels devoted entirely to reruns.
I am long overdue a new television set. To my embarrassment, my television set is second hand, occasionally cuts out and sits atop an ugly prefabricated television stand that clashes with the surrounding 1950s-era furniture. I have considered purchasing a 1950s-era television set but it would not, of course, be WiFi enabled and internet-ready.
’ve spent what little time I’ve had recently on the ADAPT TV History project trawling through the BBC Internet blog on topics to do with innovation and social media (I say what little time I have, as for heads of department like me, time is increasingly dominated by TEF (let alone REF), consumer compliance law and our new duties to prevent studies from being ‘drawn into terrorism’). In any case, this has hampered my ability
A few months ago the LA Times ran a piece entitled ‘Women at the CW work to keep sexual violence off their shows’. It detailed the discussions of the ‘Running the Show: The Women Executive Producers of the CW’ panel held at The CW Summer TCA Tour in August.