Postagens de Rogue Scholar

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Nightmare ‘24 @ The Northern School of Art: 25th April 2024 Submission Deadline: Friday 16th February 2024 CFP: “Dreams or nightmares? Madness or Sanity? I don’t know which is which” – The Representation of Mental Health in the Horror Genre The organisers invite proposals for 15-minute papers to be presented at the first Nightmare conference.

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Edited by Cortland Rankin (Bowling Green State University) and Brady Fletcher (University of Rochester) The portmanteau “warscape” that forms the title of this edited volume suggests a complex linkage between war, often thought of in purely anthropocentric terms, and the physical environment. On one hand, warfare is inescapably shaped by the environmental contexts in which it occurs.

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Montpellier, October 4, 2024 One-day symposium organized by Amandine D’Azevedo and David Roche Université Paul-Valéry Montpellier 3, Institut Universitaire de France   This one-day symposium will focus on fight choreographies in films and television series.

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Extended and revised call for chapters on select FX Channel original TV series are sought for an edited book collection.  In a similar vein as The Essential HBO Reader (2008) , this scholarly collection will serve as a valuable resource for TV scholars and educators on FX’s history and its most critically acclaimed, noteworthy series.

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Television and Sustainability In 2015, the UN proposed 17 Sustainable Development Goals that are meant to guide humankind towards a more equitable future on a liveable planet. They address questions of health, society, culture and the distribution of resources while also being aware of the urgency to address climate change.

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Chapter proposals for edited collection #TrueCrime: Digital Culture, Ethics and True Crime Audiences Proposals due by Thursday 1st February 2024. The hashtag #truecrime currently has 50.7 billion views on TikTok and 1.3 million posts on Instagram. Reddit’s ‘True Crime Forum’ boasts over 2.6 million ‘detectives’, and the most-watched true crime videos on YouTube achieve in the region of 30 million views.

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This two-day conference aims to re-evaluate the gothic proliferation, duplication, and industrial (over-)reliance on sequelisation that emerged from the 1980s studio system. This conference seeks to open and build upon significant discussions on sequels stemming from existing scholarship (Klein and Palmer, eds.

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Terminator @40: Origins and Legacies  An academic conference hosted by The Centre for Film, Television and Screen Studies, Bangor University, Wales  18 & 19 June 2024  The Terminator franchise has left an indelible mark on popular culture.

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The Disney, Culture and Society Research Network is pleased to announce its Call for Papers for the Second Annual Disney, Culture & Society Research Network Conference: Disney in a Time of Global Transformation.

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The Centre for the History of Television Culture and Production, Royal Holloway, University of London is pleased to announce a TECHNE Collaborative Doctoral Award funded by the Arts and Humanities Research Council. This fully-funded studentship will focus on British television drama and the ‘television film’ in the 1980s and 1990s and will involve a collaboration with BBC History.