Editors: Karrȧ Shimabukuro and Wickham Clayton On first consideration it may not seem like “nostalgia” and horror and slasher films have any clear connections. Usually nostalgia is applied to events and experiences that have a pleasant connotation, even if these pleasant feelings are a result of a rose-tinted view of the past.

Edited by Professor Richard J. Hand (University of East Anglia) & Professor Mark O’Thomas (University of Greenwich)   We are seeking chapters that engage with the television series American Horror Story created by Ryan Murphy and Brad Falchuk.

Call for Chapter Proposals: The Edinburgh Companion to Science Fiction and the Medical Humanities Gavin Miller, Anna McFarlane, and Donna McCormack (eds). The Edinburgh Companion to Science Fiction and the Medical Humanities will be a key intervention, analysing and exploring the fruitful intersection between science fiction and the field of the medical humanities.

CFP for conference and edited collection, hosted by Huston School of Film & Digital Media, NUI Galway Sept 4-5 2020 Film and Visual Cultures [TV; advertising; photography; media] are instrumental not only in reflecting but in constructing and reinforcing popular images and narratives of ageing.

“… you cannot mobilize a movement that is only and always against;

Editors: Whitney Hardin, Kettering University & Julia Kiernan, Kettering University Historically, few nuanced depictions of mental health have existed in popular media.

Editor: Dr Ruxandra Trandafoiu (Edge Hill University) This edited collection aims to capture the way human mobility is represented on screen (any type of screen: cinema, television, museum or public displays, tourist information, urban advertising, mobile devices etc). The project is based on the premise that human mobility is a major defining aspect of contemporary life, that mobility has become the paradigm of being and creating in the

Edited by: Brett A.B. Robinson (Brock University) and Dr. Christine Daigle (Brock University) Since 9/11 there has been a significant increase in narratives dealing with serial killers in popular television.

We are inviting abstracts for a publication on the British television series Auf Wiedersehen Pet to mark the 35th anniversary of its first screening. We are interested in a range of contributions including; academic articles, fan responses, reminiscences, revisiting locations, interviews, etc. Auf Wiedersehen Pet first appeared on the television screens in 1983.

The series Black Mirror , first aired on the UK Channel 4 in 2011, has achieved an international standing for its reinvention of speculative anthology television and continues to innovate in the form: the interactive feature-length Bandersnatch (2018) offered viewers a branching, ergodic narrative, multiple endings and the opportunity to experience a type of cyborg textuality through the TV format.